O gestaltismo aplicado à reintegração cromática de pintura de cavalete

Main Article Content

Ana Bailão
https://orcid.org/0000-0002-2652-0843

Abstract

The Gestalt psychology was use by Cesare Brandi in the conservation and restoration, especially in the interpretation and treatment of the losses. This article let know the form psychology used by Brandi and explore the influence and the importance of the Perceptual Organization Laws in the interpretation of the losses, the selection of the chromatic techniques and therefore in the recognition of the same ones. As study case, was chosen the work “Resurrection of Lazarus”, a 16th painting of the Charola of the Convento de Cristo, in Tomar.

Keywords: Gestalt, Perception, Losses, Chromatic reintegration

Downloads

Download data is not yet available.

References

ALTHOFER, Heinz (2002) - La questione del ritocco nel restauro pittorico. Padova: Il Prato.p.45.

ARNHEIM, Rudolf (2004) – Arte e Percepção Visual: Uma psicologia da visão criadora. São Paulo: Thompson Learning, pp. 216-223; 365; 379-383.

BRANDI, Cesare (1961) – “Il Trattamento delle lacune della gestalt psychologie In XX International Congress of History of Art. (Nova Iorque). pp. 149-151.

BRANDI, Cesare (2006), Teoria do Restauro. Edições Orion, Amadora. pp.19; 85-90.

ELLIS, Willis D. (1999) – A Source Book of Gestalt Psychology. London: Routledge. pp. 71-89.

EMILE-MÂLE, Gilberte (1986). Restauration dês Peinturs de Chevalet, Découvrir, Restaurer, Conserver. Suisse : Office du Livre S.A.

GOODWIN, C. James (2005) – História da Psicologia Moderna. São Paulo: Editora Cultrix. pp. 296,300.

Grande enciclopédia portuguesa e brasileira (1989). Vol. XII. Lisboa; Rio de Janeiro: Editorial Enciclopédia, Limitada. pp.360,361.

KOFFKA, Kurt (1999) – Principles of gestalt psychology. Nova Iorque: Edição de Routledge, pp. 177-210.

MACEDO, Newton de (1933) – As novas tendências da psicologia experimental: a teoria da forma. Coimbra: Imprensa da Universidade.

MORA, Paolo; MORA, Laura; PHILIPPOT, Paul (1984). “Problems of Presentation”. In Conservation of wall paintings. London/Boston: Butterworths. pp. 309-310.

PHILIPPOT, Albert e PHILIPPOT, Paul (1959). “Le problème de l´intégration des lacunes dans la restauration des peintures“. In Bulletin de l´Institut Royal du Patrimoine Artistique. Vol II. Bruxelas: IRPA. pp.5-19.

SCHOLL, Brian J. (2001). “Objects and attention: the state of the art”. Cognition, Volume 80, Issues 1-2, pp. 1-46. https://doi.org/10.1016/S0010-0277(00)00152-9

SMITH, Barry (1996) – Austrian Philosophy: The Legacy of Franz Brentano. Chicago and LaSalle, Illinois: Open Court Publishing Company. pp.2443-269.

YANTIS, Steven. (1992) – “Multielement visual tracking: attention and perceptual organization”. Cognitive Psychology. 24(3). pp.295-340. https://doi.org/10.1016/0010-0285(92)90010-y