Foreword

Irina Sandu, Eduarda Vieira

4-5

Material characterization of gilding and painting techniques of a post-byzantine icon

Maria Oliveira, M. Teresa Crespo, Sónia Costa, Cristina Barrocas Dias, Ana Manhita, Ana Cardoso, Luís Dias, António Candeias

22-34

God is in the detail. Gold, silver and polychromy

Tiago Dias, Michèle Portela, M. José Oliveira, Elsa Murta, Cristina Barrocas Dias, Vítor Serrão

35-51

A comparative multi-analytical study of the polychromy and gilding in two baroque altarpieces of Évora, Portugal

Celso Mangucci, Irina Crina Anca Sandu, Ana Manhita, Ana Margarida Cardoso, Luís Dias

52-71

The behaviour of schlagmetal applied on different types of gilding sizes

Ana–Maria Budu, Ioana Hutanu, Viorica Vasilache, Ion Sandu

72-84