Image philosophy for reading glitch art
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Abstract
This article investigates to what extent it is possible to establish an image philosophy to read digital images, in this specific case, applying the concepts in the areas of glitch art. For this, we sought, through a systematic literature review, general definitions about the terms of the image and developed a possible approach for reading digital images that have intrusive aesthetic data from the operation of technical apparatus. The study takes place as a theoretical reflection that does not aim to “solve” all the questions about reading images, but it can bring up the possibility of interpreting the images that inhabit the digital universe.
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