Critical Approaches Towards (A New) Arts Education

Main Article Content

Catarina S. Martins
https://orcid.org/0000-0002-7400-1423
Pedro Alves
https://orcid.org/0000-0003-3774-2019

Abstract

Arts education still strives to claim its specificity and equal relevance comparing to other kinds of knowledge. There remains an idea that arts are powerful transformative agents, but neoliberalism tends to put economic utility and usage as principles that capture art under the great jargons of creativity, cultural industries, or flexibility. Today, it is necessary to question the very concept and status that arts, but also education, built from European perspectives, aligned with colonial practices, the building of nations, identity constructions and a culture of taste, under a universalist idea of civilization and progress. Thus, in this JSTA special issue we aim to question how to critically build a place and status for arts education which does not assume for itself, from the outset, a privileged or exceptional place, which does not reproduce the hegemonic power relations it seeks to criticize, and which stimulates change instead of accommodation and homogenization.

Keywords: Art, Education, Identity, Diversity, Knowledge

Downloads

Download data is not yet available.

References

Assis, T. (2019). Programming Creativity: Technology and Global Politics in the National Curriculum. In L. G. Chova, A. L. Martínez, & I. C. Torres (Eds.), INTED19 Proceedings: 13th annual International Technology, Education and Development Conference (pp. 5542–5551). IATED Academy.

Gaztambide-Fernández, R. (2013). Why the arts don’t do anything: toward a new vision for cultural production in education. Harvard Educational Review, 83(1), 211–236.

Gikandi, S. (2011). Slavery and the Culture of Taste. Princeton University Press.

Kalin, N. (2018). The Neoliberalization of Creativity Education. Democratizing, Destructing and Decreating. Palgrave Macmillan.

Martins, C. S. (2017). ‘E agora, vai voltar tudo a ser como era?’ - Por uma crítica às artes na educação. In M. de Assis (Ed.), 10 x 10 Ensaios entre Arte e Educação (pp. 13–20). Fundação Calouste Gulbenkian.

Martins, C. S. (2018). The Alchemies of the Arts in Education. Problematizing Some of the Ingredients of the Recipe. In B. Jörissen, L. Klepacki, T. Klepacki, V. Flasche, J. Engel, & L. Unterberg (Eds.), Spectra of Transformation (pp. 41–57). Waxmann.

Martins, C. S. (2020). The Fabrication of the Chameleonic Citizen of the future through the Rhetoric of Creativity: Governmentality, Competition and Human Capital. In C.-P. Buschkühle, D. Atkinson, & R. Vella (Eds.), Art-Ethics-Education (pp. 26–43). Brill Sense.

Martins, C. S., & Popkewitz, T. S. (2015). The ‘Eventualizing’ of Arts Education. Sisyphus - Journal of Education, 3(1), 7–17.

Mörsch, C. (n.d.). Approches to a Postcolonial Historiography of Cultural Education in Germany. https://www.kubinaut.de/de/themen/9-kontext-asyl/%0Dapproaches-postcolonial-historiography-cultural-education-german/

Mörsch, C. (2018). Critical Diversity Literacy an der Schnittstelle Bildung/Kunst: Einblicke in die immerwährende Werkstatt eines diskriminierungskritischen Curriculums. https://www.kubi-online.de/artikel/critical-diversity-literacy-schnittstelle-bildung-kunst-einblicke-immerwaehrende-werkstatt

Varela, M. do M. C. (2016). Pedagogic Activism v. Pedagogic Paternalism. In F. Malzacher, O. Ahmet, & Pelin Tan (Eds.), The Silent University (pp. 44–55). Sternberg Press.