Time In Cinema And Modern Art: Reflections Inspired By Farshad Zahedi’s 'The Petrified Object And The Poetics Of Time In Cinema'
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Abstract
Inspired by Farshad Zahedi’s audiovisual essay The Petrified Object and the Poetics of Time in Cinema, this article briefly presents three philosophical approaches to cinema’s ways of expressing time – as articulated by Bergson, Tarkovsky, and Deleuze – and questions how absolute time and chronological time are brought to a state of crisis by this modern form of art.
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References
Bazin, A. (1967). What Is Cinema? Vol.1. University of California Press.
Bergson, H. (2002). Key Writings. ed. K. A. Pearson and J. Mullarkey. Bloomsbury.
Deleuze, G. (2008). Cinema 2. Continuum.
Tarkovsky, A. (1989). Sculpting in Time. University of Texas Press.