Narrative Structure in 'Pulp Fiction'

Main Article Content

Ernesto Taborda-Hernández
http://orcid.org/0000-0001-6883-4077

Abstract

In this audiovisual essay, the narrative structure of the film Pulp Fiction (Tarantino, 1994) has been analyzed, locating the essential structural vicissitudes of the film in its original montage and linear story, seeking to investigate the reasons that prompted the director to choose such a particular narrative proposal. This audiovisual essay places the two narrative proposals in the same image. The linear story appears on a large screen and the original story is presented on a panel on the right side of the image. The chronological order of the stories has been listed and arranged as counted. The proposed essay shows us that the two stories work, but that perhaps the original story is a more dynamic and innovative exercise in style than the linear story, and that in some moments the vicissitudes and structures of the two narrative proposals coincide. Also that the original story is the story of Jules and his redemption, and the linear one is the story of Butch.

Keywords: Narrative, Dramatic structure, Pulp Fiction, Audiovisual essay, Quentin Tarantino

Downloads

Download data is not yet available.

References

Howley, K. (2004). Breaking, Making, and Killing Time in Pulp Fiction. Scope. An Online Journal of Film & TV Studies 6(2). https://www.nottingham.ac.uk/scope/documents/2004/may-2004/howley.pdf

Sánchez-Escalonilla, A. (2014). Estrategias de guion cinematográfico: el proceso de creación de una historia. Grupo Planeta (GBS).

Velásquez, M. (2016). Analysis of the literary screenplay of Pulp Fiction: an exercise of the interpreted. Fuera de Campo Vol. 1(1), pp. 76-93.