Editorial: v13 n1

Daniel Ribas; Maria Coutinho; Carlos Natálio; João Pedro Amorim

doi:10.34632/jsta.2021.9981

Daniel Ribas

Universidade Católica Portuguesa, School of Arts, Research Center for Science and Technology of the Arts

https://orcid.org/0000-0002-3018-5152

Maria Coutinho

Universidade Católica Portuguesa, School of Arts, Research Center for Science and Technology of the Arts

https://orcid.org/0000-0002-0410-8225

Carlos Natálio

Universidade Católica Portuguesa, School of Arts, Research Center for Science and Technology of the Arts

https://orcid.org/0000-0002-4449-4124

João Pedro Amorim

Universidade Católica Portuguesa, School of Arts, Research Center for Science and Technology of the Arts

http://orcid.org/0000-0002-0267-1276

Abstract

Welcome to the new edition of the Journal of Science and Technology of the Arts. In this new number, our first from our 13th year, fosters our editorial view of the journal: a thematic dossier – around sound art – that deepens the research on our focus-areas and CITAR’s Strategic Plan (2020-2023), as well as works on complimentary sections: the Audiovisual Essays and the Reviews (books, in this issue). JSTA maintains its devotion to research in the fields of artistic research, finding new paths and new ways of researching art. It follows also the strategic guidelines for indexation and metadata support.

Keywords: Sound art, Audible art, Audiovisual essay

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Guest editors: José Alberto Gomes, Miguel Carvalhais, and Henrique Portovedo

Sound today represents much more than a musical element or even an acoustic and physical phenomenon. Since the 1970s, the singularity impulse of the moment in music has shaped new paths and disciplines with its new grammars and wills. Art through sound, as a practice, takes advantage, describes, analyzes, executes and interrogates the condition of the sound and the processes by which it operates. Thus, any remaining musical argument is negated by a predominant extravagance of unintentionality, multiplicity, silence or noise. At the same time, the role of technology in this evolution is undeniable. The development and use of computational tools and media have become a constant and the majority of the art through sound is affected by it, in a symbiosis with technology that radically transforms the landscape for the practice of the arts.This special issue of the JSTA, intend to address sound as a bundle of practices that can either arise from, lead to, or use sound as a tool of world building.

DOI https://doi.org/10.34632/jsta.2021.13.1

Published 2021-04-29

DOI https://doi.org/10.34632/jsta.2021.9981

Published 2021-04-07

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How to Cite

Ribas, D., Coutinho, M., Natálio, C., & Amorim, J. P. (2021). Editorial: v13 n1. Journal of Science and Technology of the Arts, 13(1). https://doi.org/10.34632/jsta.2021.9981

Issue

Vol 13 No 1 (2021): Audible (Art): The Invisible Connections Between Sound, Music, and Sound Art

Section

Editorial

This work is licensed under a Creative Commons Attribution 4.0 International License.

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Abstract

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Universidade Católica Portuguesa

Universidade Católica Publisher