Replacing Bodies with Pictures Al-Qaeda’s Visual Strategies of Self-Configuration

Andén-Papadopoulos K. & Pantti M. (2011), Amateur Images and Global News, Bristol: Intellect.

Amadori A. (2002), Bin Laden. Chi è, cosa vuole, come comunica il profeta del terrore, Milano:

Scheiwiller.

Baudrillard J. (1991), La guerre du Golfe n'a pas eu lieu, Paris: Galilée.

Belting H. (2011), Florence and Baghdad. Renaissance Art and Arab Science, Cambridge-London:

Harvard University Press.

Carbone M. (2007), Essere morti insieme. L'evento dell'11 settembre 2001, Torino: Bollati

Boringhieri.

Chéroux C. (2009), Diplopie, l'image photographique a l'ère des medias globalises: essai sur le 11

Septembre 2001, Cherbourg-Octeville: Le Point du Jour.

Cook D. (2005), Understanding Jihad, Berkeley: University of California Press.

Cottle S. (2006), Mediatized Conflict: Developments in Media and Conflict Studies, Maidenhead:

Open University Press.

Dayan D. (2006), Terrorisme, performance, representation. Notes sur un genre discursif

contemporain, in Dayan (ed.), La terreur spectacle, Bruxelles: De Boeck Université, pp. 11-22.

Dudziak M. (ed., 2003), September 11 in History: a watershed moment?, Durham: Duke

University Press.

Gray J. (2003), Al Qaeda and what it Means to be Modern, New York: The New Press.

Guolo R. (2002), Il fondamentalismo islamico, Roma-Bari: Laterza.

Gumbrecht H. (2004), The Production of Presence: What Meaning Cannot Convey, Stanford:

Stanford University Press.

Hall S. (ed., 1997), Representation: Cultural Representations and Signifying Practice, Milton

Keynes: The Open University.

Hammond P. (2007), Media, War and Postmodernity, London: Routledge.

Hill A. (2009), Re-Imagining the War on Terror: Seeing, Waiting, Travelling, Basingstoke-New

York: Palgrave Macmillan.

Hoskins A. & O'Loughlin B. (2010), War and Media. The Emergence of Diffused War, Cambridge:

Polity Press.

Khosrokhavar F. (2002), Les Nouveaux Martyrs d’Allah, Paris: Flammarion.

Mitchell W.J.T. (2011), Cloning Terror. The War of Images, 9/11 to the Present, Chicago:

University of Chicago Press, 2011.

Ricchiardi S. (2006), The Forgotten War, «American Journalism Review», 28, 4, AugustSeptember, pp. 48-55.

Roger N. (2013), Image Warfare in the War on Terror, Basingstoke-New York: Palgrave

Macmillan.

Sacco L. (2005), Kamikaze e Shahid Linee guida per una comparazione storico-religiosa, Roma:

Bulzoni.

Simon J. (2009), Thoughts on the Aesthetics of Terror in General and Suicide Bombers' Videos in

Particular, in Simon and Manon Slome (eds.), The Aesthetics of Terror, Milano: Charta, pp. 38-47.

Sontag S. (2003), Regarding the Pain of Others, New York: Farrar, Straus and Giroux.

Struk J. (2011), Private Pictures. Soldiers' Inside View of War, London: Tauris.

Uva C. (2008), Il terrore corre sul video, Soveria Mannelli (CZ): Rubettino.

Wingard J. (2013), Jose Padilla’ and ‘Osama bin Laden’: Material Consequences of Branding

Bodies, in Wingard, Branded Bodies, Rhetoric, and the Neoliberal Nation-State, Lexington:

Lexington Books, pp. 79-102.